The Closet, Its Conventions, and Anti-Racist Criticism

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dc.contributor.authorWiegman, Robyn
dc.date.accessioned2013-08-09T01:03:24Z
dc.date.available2013-08-09T01:03:24Z
dc.date.issued2013-08
dc.descriptionUncorrected proof. Supplementary material: http://culanth.org/supplementals/706-the-closet-its-conventions-and-anti-racist
dc.description.abstractThere have been many things said in the popular press about Steven Spielberg’s sensationalist rendition of American history in his award winning film Lincoln (2012), but as far as I know no one has accused him—yet—of being just a bit too interested in Thaddeus Stevens’s bedroom.
dc.format.extent3
dc.identifier.citationCultural Anthropology, Vol. 28, No. 3 (August 2013): 544-546
dc.identifier.issn1548-1360
dc.identifier.urihttp://hdl.handle.net/10524/35696
dc.language.isoen-US
dc.publisherAmerican Anthropological Association
dc.relation.urihttp://onlinelibrary.wiley.com/doi/10.1111/cuan.12022/abstract
dc.relation.uriDOI: 10.1111/cuan.12022
dc.subjectAmerican Studies
dc.subjectracism
dc.subjectpsychoanalysis
dc.subject.lcshEthnology
dc.titleThe Closet, Its Conventions, and Anti-Racist Criticism
dc.typeArticle
dc.type.dcmiText

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