The Term mo'ai as a Key to the Idea Behind the Phenomenon

dc.contributor.authorCain, Horst
dc.contributor.authorBierbach, Annette
dc.date.accessioned2021-11-12T21:37:38Z
dc.date.available2021-11-12T21:37:38Z
dc.date.issued1997-01-01
dc.description.abstract<p>To speak about Rapa Nui is absolutely impossible without referring to the most spectacular feature of its culture, the gigantic stone statue or <em>moai,</em> as they are commonly termed now. They fascinated not only the first Europeans who saw them in 1722 and all subsequent visitors, but also absorb most attention, imagination and effort in every respect up to this day. Their spectacular size, technical achievement and artistic style and standard justify, beyond the least doubt, the attention paid to them. On the other hand, the almost exclusive devotion of means and energy to the problems of the making, lifting and transport of the big stone statues led to an overemphasis on archaeology and an understandable if lamentable propensity towards the solution of mere technicalities. This still prevailing tendency, however justified it may be or appear, hindered discoverers, adventurers, settlers and even investigators from paying the same or, at least, half as much attention to the whole range of other, just as important aspects of Rapa Nui culture.</p>
dc.identifier.urihttp://hdl.handle.net/10524/64318
dc.subjectRapa Nui
dc.subjectEaster Island
dc.subjectmo'ai
dc.titleThe Term mo'ai as a Key to the Idea Behind the Phenomenon
dc.typeResearch paper
dc.type.dcmiText
prism.number3
prism.volume11

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